“I like the idea of creating a visual art project which is about ‘not seeing something’. The painting method of battle ships in the first and second World War, the so called dazzle painting, in a way for me perfectly represents this paradox. The sculpture I created for Turku is d on the same concept as the one in Venice. It applies a completely different pattern to the space, but despite its very different look, it should have the same dazzling effect,” says Rehberger.
